Avalon Compressor Vst Plugin

Avalon 737 Vst
Avalon Compressor Plugin Vst

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Aqui les tengo un regalo a mis amigos productores es un plugin ligero pero es muy bueno, espero les sea de buen provecho descargalo aqui.http://ceesty.com. TDR Kotelnikov is a legend of the free plugin scene. This well-designed VST shows off the power of high-fidelity digital compression with a classy sound and deep control. Cheap plugin: Klanghelm DC8C. Klanghelm DC8C is a chameleon of a compressor plugin that can cover a huge range of different sounds. FabFilter Pro-C 2. Rating: 5 out of 5. ⭐⭐⭐⭐⭐ Rating: 4.5 out of 5. Who this plugin is.

Option overload is a very real thing, particularly in the world of compressors. Compressors tend to be a little daunting to learn to begin with, as there’s a lot they can do (I have a comprehensive course on it if you want to understand compression thoroughly). Couple that with the fact that almost every software brand has its own compressor series and you’ve got an overwhelming number of options.

In this article, I’m going to pare things down a bit and take a look at my favorite compressor plugins, along with a few mix tips to go with each of them.

1. Klanghelm MJUC

You know what’s great? When a single compressor covers almost all of your compression needs. You know what’s even better? When that compressor costs $30. This is true of the MJUC “Vari-Tube” Compressor by Klanghelm. The MJUC is actually 3 compressors — the first being kind of like an Altec style Vari-Mu, the second like a STA-Level 176, and the third being kind of its own thing. While the second and third modules offer the most functional controls, I find myself using the first model most frequently.

Surprisingly, while it is one of the cheapest compressors in my arsenal, it’s the one I reach for most commonly for vocals.

Mix Tip

Vocals: The secret to vocal compression is in the timing constants. On Pop vocals, I’m frequently using module 1 with the timing constant set to “5”. This setting is a fast release and program-dependent release, similar to the Fairchild 660. This means that as the incoming signal changes, the release timing changes as well, making for a more transparent release.

For Rap vocals, I’m frequently going to module 2 where I start with the “density” button clicked in. The “density” button emulates a second compression stage that radically effects how the ratio and threshold seemingly interact. I find if I don’t begin with this in, the compressor is a little tricky to set. From there I’m setting the attack to 12 o’clock and the release as fast as I can get away with without any distortion creeping in (which is usually all the way left or a click or two off). As an added bonus I like to turn the “timbre” control a little to the brighter side to add a bit of pop. But that’s a saturation thing, not a compression thing.

2. Sound Radix POWAIR

It’s no secret that I’m a big Sound Radix fan and have been for a long time. The POWAIR plugin is unparalleled when it comes to transparency. It is about the closest thing you can get to level automation in the form of a compressor. It was designed with mastering in mind but it’s very useful for instruments, group busses, vocals — really anything.

The compressor functions in two stages. The first is a general leveler which pulls the source toward a target threshold whether upward or downward. The second is a compressor stage with a fixed threshold, knee and ratio. We also have variable attack and release, sidechain filters and stereo linking. We also have a few unique controllers, and that’s where the magic in this compressor lies. The first is a “Punch” control that allows initial transients to come through without changing the attack time. The second is an “Adaptive” mode that effectively moves the threshold relative to the incoming signal level so that compression is applied more uniformly regardless of whether or not the playing is soft or loud. And the third mention is a two-fer; the release has a tempo setting which allows you to auto time to the music (very convenient) and an automatic makeup gain toggle that is actually accurate (pretty much the only makeup gain that is programmed to work correctly in any software).

Aside from the architecture being atypical of most compressors, the actual sound is so transparent it can throw off an experienced ear. It is surprising how much gain reduction one can get away with doing while using this thing. This makes POWAIR a little trickier to use than most compressors. However, once it’s learned it’s an irreplaceable tool.

Mix Tip

Music Buss: Working in Pop, Hip Hop, R&B, Reggaeton and Dance music, it’s extremely common to receive reference files that are highly compressed. The vocals parts are usually tracked to the compressed 2-track. But the individual trackouts (stems) simply do not match up to this highly squashed version, because the compression inherently changes the balance and feel of the record … usually in a good and also bad way.

When mixing these genres it can help to do a bit of compression on the overall music buss to help get some of that 2-track feel, but doing it on our own terms rather than trying to rework a brickwalled, decently mixed version from the producer. The two stages allow us to get the “glue” effect of heavy limiting without the overly dense, transient dead, and somewhat distorted side effects.

Introduction to POWAIR

➥ Get 46% off The Compression Collection today Option overload is a very real thing, particularly in the world of compressors. Compressors tend to be a little daunting to learn to begin with, as there's a lot they can do (I have a comprehensive course on it if you want to understand compression thor

3. Waves RVox

Good ol’ RVox. The fixed value, single slider compressor that’s been around longer than some of the people using it. I am not going to lie — to this day it is still one of the best compressors, particularly for vocals, ever made. It’s an “opto” style compressor that adds a little low mid presence along the way, along with a gate. It’s very simple and very effective.

Mix Tip

Vocals: There are two little tricks to RVox that really make it sing, for me. The first is to hold shift and click both the gain and output slider so that as you are applying more compression you are also turning the output down. This way the level stays about the same and you can focus more on what the compression is doing. Once it starts feeling “choked” or “pumpy”, back it off and that’s the sweet spot. The second trick is where it’s placed in the chain. I like it as the last compression stage. It’s a finisher. Get everything all nice and situated with POWAIR or MJUC, and then use RVox at the very end to just give that vocal a little extra punch. 2 to 3 dB of gain reduction usually does the job here.

4. Eventide Omnipressor

POWAIR is to “transparency” as Eventide’s Omnipressor is to “very obvious.” Omnipressor is not subtle. Maybe it can be if used a certain way, but that is not the intention at all. Going from all the way left to all the way right on the function control — omnipressor first acts like a gate, then expander, then lands in bypass right in the middle, then becomes a typical compressor, followed by a limiter, followed by a dynamic-reversal control where the output yield is actually below the threshold. Effectively this means you can do anything from completely killing the sustain of a signal, to making the sustain louder than the attack. This is almost a sound design piece more than a compressor as you can modify the envelope of a sound to something completely unrealistic.

Mix Tip

Drums, Hell Yes, Drums: When it comes to compressing the royal snot out of things, few elements are so obliging as drums. One of the coolest things to do with Omnipressor is to set your drums up on three tracks. A dry track, a track with Omnipressor set as an expander/gate, and a track with Omnipressor set at in dynamic-reversal mode. This essentially allows you to shape the attack sounds and the release sounds on two parallel tracks and then blend them in as you choose.

For super boomy, fun drums I recommend playing up the dynamic-reversal track, and then using the expander/gate track in the context of the mix just to get the drums to poke forward a touch and still have bite to them. It takes a second to get the feel for this but once you do it is money-money-money. This works on the drum buss as well as on individual close mics.

5. FabFilter Pro-MB

I’d be amiss to have a compressor list without mentioning my favorite multiband: FabFilter Pro-MB. This is another compressor that has a lot of options. You have pretty much every compression control you can think of — variable timing, ratio, expansion mode, mid/side, stereo unlinking, knee, and so on — and you have those settings for every band. The GUI is fortunately very intuitive so the learning curve isn’t too steep. That said it does take a while to get a feel for multiband in general, particularly when it comes to using more extreme settings. Once you have it, the FabFilter Pro-MB is a very powerful tool.

Mix Tip

Kick Drum: Whether it’s an acoustic kick or a sample, we often want the low end to either sustain longer for a weightier kick, or cut a little shorter for a punchier kick. Kinda depends on where the bass instruments are living and what they’re doing. To make the sub of a kick extend, create a shelf band on just the deep low end (maybe 80 Hz or lower). A softer slope is usually good because we retain better transient definition and pulling up a bit of 100-200 Hz by proxy might not hurt anyway.

Set the attack very fast (first quarter turn or faster), just making sure we aren’t really messing up our initial transient. Set the release fairly fast as well. Set the GR to -12 to -14. We are aiming to do 6 to 12 dB of gain reduction here! Lastly, set the knee pretty hard (5 dB or less). Once we’ve got our compression action working, now we turn the output up on that band by the same amount as our total gain reduction. This gives us the same overall amount of low end, but with a lot more body!

If we want a punchier kick drum we are going to use expansion mode. We are going to use the same settings, except this time we aren’t going to use any output gain. We want our attack super fast, our release fast, our knee hard, and we’re going to use our threshold to determine where the low end needs to start attenuating and ratio to determine how much. Once this is done we may want to turn up the kick overall as it won’t have the same power and presence it did before. By shortening the low end of the kick we can bring clarity to our low end, particularly if we have another instrument driving the sub.

Introduction to FabFilter Pro-MB multiband compressor/expander

Introducing: The Compression Collection

Want to step up your mixing skills? Do you ever…

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If you are serious about mixing, a compressor is an essential tool that you can’t be without. There are a variety of software compressors that you can get your hands on, each with a different specialty and its own way of reacting to signals.

You could go the digital route if you’re looking for a beautiful, clear tone and open-end parameters. There’s also compression plugins that emulate analog gear if it’s a classic, warm sound you’re after. No matter what sound you’re trying to achieve, you’ll find a compressor that can help you get there. To help narrow down your choices, we’ve put together a list of some of the best compressor plugins that are currently available.

9 Best Compressor VST Plugins

1. FabFilter Pro-C 2

If you’re looking for an incredibly versatile compressor, check out the FabFilter Pro-C 2. You’ll find all the features you would have with a traditional compressor along with many extras. The Pro-C 2 offers lookahead gain reduction, Stereo Link control, mid-side processing, 4x oversampling, and eight distinct compression algorithms, all on an amazing interface.

With the variety of compression algorithms to choose from, you can run the gamut of compression from clean to colored for all of your mixes. You can achieve a wide range of sounds from these unique algorithms, which include Bus, Pumping, Vocal, Mastering, and Punch.

FabFilter has updated their I/O metering and gain reduction capabilities to ensure that your mixes adhere to loudness standards. You’ll be happy with how fast the compressor works without overwhelming your CPU. The Pro-C 2 is a one-stop shop for all your compressor needs.

Pros

Helpful sidechain EQ
A wide variety of compression styles
Exciting interface

Cons

Colored compression styles don’t really match up to vintage compressor plugins

2. Softube Tube-Tech Complete Collection

The Softube Tube-Tech Complete Collection comes with two EQs and a compressor that will help you get the job done. The stand-out in the collection is the Tube-Tech CL 1B, a classic compressor emulation that mixing engineers are drawn to. It’s often used for mixing vocals, but its capabilities extend far beyond that. If you’re looking for super smooth compression with an impressively transparent tone, the CL 1B is where it’s at.

Softube has copied the features found in the original hardware, and they’ve also included some additional parameters. These include release, threshold, gain, ratio, and attack parameters in addition to a parallel compression parameter. This means you won’t need to make an extra aux track for parallel compression of your signal. You can also take advantage of its sidechain low cut switch.

The Soft Tube-Tech C1 1B should be at the top of your list if you are looking for a vintage tube compressor plugin that will give you smooth and transparent results.

Pros

Super flexible
Authentic vintage controls
External sidechaining capability

Cons

Pretty pricey for what you get

3. Tokyo Dawn Labs TDR Kotelnikov GE

If you’re looking for an affordable software compressor that can give you wideband dynamic control, the TDR Kotelnikov from Tokyo Dawn Labs is perfect for you. You might be familiar with the TDR Kotelnikov Feedback Compressor, which was the inspiration for a number of the controls found on this VST plugin. The control scheme is user-friendly with a basic, intuitive interface. The peak and RMS content also feature individual release controls. Its precise algorithms are comparable to pricier compressor plugins you can buy today.

If you want to take it up a notch with some extra features, you can fork out a little more for the Gentleman’s Edition. One notable feature on this version is the ability to set the compression ratio based on the incoming frequencies. You’ll also find a sidechain high-pass filter to help you achieve more precise compression.

This plugin stands out because it doesn’t try to copy any particular type of compressor. It’s a great example of a moderately-priced digital compressor with modern sounds and excellent features.

Pros

Super affordable
Lots of interesting parameters
Transparent digital compression

Cons

Not the best option for characterized compression
Doesn’t have an auto release feature

4. PSP Audioware PSP VintageWarmer2

PSP Audioware has developed a great reputation based on the quality of their wide range of plugins. The PSP VintageWarmer 2 stands out among their VST plugins because of how authentically it mimics analog equipment. The VintageWarmer 2 has your mixing and mastering needs covered if you’re looking for warm analog saturation and compression.

You’ll have access to three different plugins, including the MicroWarmer. This is the most basic of the three with all the standard compression controls. This is an ideal option for beginners as it’s super user-friendly and ideal for adding compression and saturation to individual tracks. The next option is the VintageWarmer, which is perfect for brick wall limiting and multi-band compression. It comes with some additional release settings and EQ shelves for frequency selection. It also won’t take up a lot of CPU. Finally, there’s the VintageWarmer 2 with its exciting FAT mode, which double samples the audio input and gives you a fatter overall analog sound.

You can expect for the VintageWarmer 2 to exhibit tape when overloading. No, it’s not the best option for a clean sound. However, you should definitely pick up this plugin if you want to exhibit complete compression, coloration, and saturation to your mixes.

Pros

Ideal for mixing and mastering
Awesome auto-release mode
Gorgeous analog sound

Cons

Not backwards compatible
Not the best option for clean compression

5. iZotope Ozone 9

You may already be familiar with iZotope’s awesome collection of audio restoration and mastering plugins. They have developed a great reputation based on these high quality, intuitive plugins. With the Ozone 9, you get incredible dynamics plugins that will give you ultimate control over your sounds.

In the Dynamics section, you’ll find a limiter/compressor plugin that will give you the ability to perfectly craft your sounds. It’s primarily a mastering compressor, so this means you’ll have extra tools than what you would find on a standard compressor. These include mid-side processing, look-ahead times, and advanced metering.

One cool feature is the built-in detection filter. This will help you determine what impact the incoming signal will have on the compressor’s algorithm. You also have the option of utilizing the high-pass mode if you want to use the compressor only with signals above the cutoff point. Whatever you’re trying to achieve with a compressor plugin, the Ozone 9 can get you there.

Pros

Avalon 737 Vst

Ideal for mixing or mastering
Great selection of advanced features
Very versatile

Cons

Might be too pricey if you’re just wanting a traditional compressor plugin

6. McDSP 6030 Ultimate Compressor

If you’re an indecisive mix engineer, the McDSP 6030 is a great set of compressors for you. You’ll get a total of 10 different compressors in a user-friendly, modular format. It’ll give you just what you want from dynamic range control technology. McDSP built some of these compressors from scratch, and the rest are emulations of the original hardware.

Beginners will have an easy time working with the 6030, and more advanced mix engineers will find all the functionality needed for their compression needs. Whether you are aiming for clear or colored compression, you’ll find plenty of options to work with in the McDSP 6030.

Producers and mixers will be happy to know that it won’t take up much CPU at all. It also gives you sidechain support as well as mono and stereo versions. So if you’re not sure which compression plugin to go with, the McDSP 6030 has pretty much all your bases covered in one bundle.

Pros

User-friendly interface
Huge assortment of compression types
Unique modular format

Cons

Ratios don’t level out from unit to unit
You won’t find a numeric dB read out on the output knob

7. Sonible smart:comp

AI plug-ins have gotten more and more popular recently, and for a good reason. Both beginner and advanced music producers can take advantage of all these plug-ins have to offer. One great example of a spectral compressor that benefits from AI technology is the Sonible smart:comp. Most of the compressor plug-ins in this arena will give you sticker shock, but this option is surprisingly affordable.

The smart:comp gives you a user-friendly interface and won’t overwhelm your CPU. You can choose from nine distinct AI processing types to meet all your compression goals. Especially if you’re a beginner, you’ll appreciate the spectral graph feature, which shows the compression in real-time. This will help you see how exactly the compression is affecting the audio.

You’ll get all the compression controls you would expect along with a sidechaining feature. If your goal is colored compression, you’ll have to look elsewhere. But this is an awesome option if you’re in the market for a compressor with AI technology and crystal clear sounds.

Pros

Great value
User-friendly design that’s perfect for beginners
Awesome AI Algorithms

Cons

Doesn’t have a lot of presets

8. Boz Digital Labs Manic Compressor

Boz Digital Labs has outdone themselves with the Manic Compressor. There’s tons of options to help shape your sound in a number of different ways. You’ll find six different compression types, which you can switch between seamlessly without changing the settings. This will help you to mix efficiently while maintaining your perspective.

The Manic Compressor features authentic parallel compression so that you can achieve a modern compressed tone. You’ll also have access to two EQ sections along with several Drive options to further shape your compressed signal. One cool feature is the three-position Beef switch, which gives you the ability to adjust how the compressor responds to the input signal. This lets you dial-in either a fatter or thinner sound.

You’ll also find a few additional parameters like the Tone Signal Application and the Mid-Side panner to give you additional control over your sound.

Pros

Tone shaping and sidechaining capabilities are built in
Impressive parallel compression
Six different compression types

Cons

EQ is not super precise
Other parts of the plugin don’t offer parallel compression

9. Waves CLA Classic Compressors

Avalon Compressor Plugin Vst

Waves collaborated with Chris Lord-Alge, a top mixing engineer in the rock industry, to give you access to some of the best sounding compressors in music history. CLA Classic Compressors includes the CLA-76 Blacky, CLA-76 Bluey, CLA-2A, and CLA-3A. These all get their inspiration from classic hardware pieces that are still utilized in professional studios worldwide.

The CLA-2A is modeled after the LA-2A optical compressor. It gives you incredibly smooth and transparent compression that works ideally with vocals or bass. The CLA-3A emulates the classic LA-3A solid state compressor, which was popular in the 70s. In addition to its transparent compression curve and speedy response time, it gives your signal some harmonic distortion. This is a perfect compressor plug-in for bass, electric guitars, and vocals.

Finally, the CLA-76 gets its inspiration from the 1176, an A line level limiting amplifier from the 60s. You can choose between the distinctive Blacky and Bluey versions. Both options offer modeled pre-amp distortion, fast attack times, and an awesome All-In mode if you want to take your compression to the extreme. They both work with almost any instrument you can think of, but they are particularly suited for drums.

If you want to have a selection of classic compressors at your fingertips without going over budget, the CLA Classic Compressors bundle is an impressive option.

Pros

Can be used with all types of instruments
Authentic vintage analog compression
Access to four distinct compressors

Cons

“Analog” hiss might get on your nerves
Lacks transparency

Compressing On

Compression is an indispensable tool for modern music mixers and producers. There is no shortage of compressor plug-ins out there with a wide range of features and functionalities to meet your every compression need. With options ranging from standard to multi-band to analog to digital, all your bases are covered.

There’s no such thing as too many compressors, so add a few of these to your collection to expand your mixing horizons.